I get hung up. I don't know about anyone else who may be reading this - maybe I'm not the only one. But when it comes to writing, I somehow feel that I always need something really important and meaningful to say, and I have to say it right - and then if I don't write, I feel like there are so many things to write about that, if I'm going to write, I need to cover them all - and then (as you might imagine), that's so overwhelming that I just don't start. This became very clear to me this morning when I sat down to journal. I always intend to write regularly in my journal; I even carry it everywhere I go. But then I get stuck in that same ridiculous loop and never start writing. Earlier this fall, I began to write three pages every morning (some of you may recognize this from The Artist's Way) - three pages, even if all I have to write is, "I don't really know what to write". After a couple of weeks, it was amazing how much it freed up my mind to really write about what I care about. And then I fell off the wagon, for a lot of reasons having to do with the various bits of chaos that have been hitting me this year. And I found myself not writing at all, because there was too much to even start. So this morning, I committed to my three pages again. And I think that the blog is like that, too, somehow. Every day, I frame something in my head the way I would want to write it on the blog, and then I get hung up (I don't have a picture, it's not enough about knitting, whatever whatever whatever), and don't write.
Wanda has been writing every day this month, and I have so enjoyed reading each of her posts. I think I need to give myself permission to write as often as I want, even if it feels "small" somehow. One thing that worries me (because who would I be if I didn't find something to worry about) is that many of the things that I mull over and would like to write about aren't specifically knitting-related (not even close); and many of the photos I've been taking lately (thanks to the inspiration of my beloved sister-in-law, who has started her own photography business just recently - I'll see if I can get a url to share) similarly have nothing to do with knitting. I'd love some input: would any of you be interested in reading other things? Like those short stories I posted a while ago? Or my vaguely political musings/indignant contemplations? I'm curious.
In the spirit of posting in spite of having very little knitting content, here we go. I did finish a pair of socks for Rick, and he has been wearing them - photos will come. We drove up to Sacramento last week for Thanksgiving at my parents' house. And Tess came out from college to join us - you can imagine how glad it made me to see her. My dear friend also flew up to be with us, which made the short trip even more fun. On the way home, we took my friend to the airport on our way out of town, which meant squeezing five of us and our luggage - to say nothing of the dog - into the car.
We managed (and look! knitting content! I'm wearing my new hat).
On the way home, we stopped in Lodi at our favorite winery, Bokisch. We did this last year, too, and it's a nice treat. We get to visit with the folks who work there, and take a walk in the vineyards, letting Tilly run in the falling leaves before we really hit the road. This time, we wandered down to the picnic tables under a big oak tree, and I just had to - absolutely had to - be up in that tree. A quick boost from Rick, and I was clambering up.
I'd forgotten how very much I love climbing trees. There really is nothing better than just hanging out in a tree. For one thing, the views are marvellous.
The tracery of branches against the sky always fills me with delight.
Tilly, however, was less delighted to be left earthbound.
So eventually I came down. I think I need to find more opportunities to climb trees.
I honestly would appreciate any thoughts you have about blog content - please feel free to share in the comments.
Monday, November 27, 2017
Saturday, November 11, 2017
Plugging away
I wanted very much to write a post about the trail that I walk on several times a week, so I took my camera with me on Tuesday, and gave myself the gift of a lingering walk, stopping to take pictures. I was ready to give you all the grand tour, but when I stopped to look at them, I realized that my UV filter was schmutzy, so the pictures are largely pretty awful.
I think people must think I'm pretty odd, as I make sure to say hi to my favorite trees as I walk by.
Or, as in this case of this cranky old man, drop a wink and a nod as I pass.
You can see that foggy lens, alas. So a fuller trail introduction will wait for another day.
I finally took some pictures of a few past projects that I wanted to share. Here's one of them, the Antirrhinum socks from A Year of Techniques. These were a lot of fun to knit, and I'm looking forward to wearing them this winter.
I also finished this little beauty for me.
That is the 21 Color Slouch, which I bought as a kit from my favorite LYS, Yarning For You. It's all Blue Sky Fibers yarns, and it comes with all of those colors in little bitty hanks. It's a sweet little pattern, and I just loved the colors. Hats in general are a tricky thing when you have hair as short as mine - I often look like I'm wearing a chemo cap, which leads people to approach me with shock and dismay. That said, I'm probably going to hang on to this one (I have been known to knit hats because I really, really love them, then give them away because of this issue) in spite of that - it'll make a great trail and barn hat.
I hope you are all enjoying your good things this weekend, too!
I still managed to get some shots of the wise old eyes that watch over the trail.
I think people must think I'm pretty odd, as I make sure to say hi to my favorite trees as I walk by.
Or, as in this case of this cranky old man, drop a wink and a nod as I pass.
You can see that foggy lens, alas. So a fuller trail introduction will wait for another day.
I finally took some pictures of a few past projects that I wanted to share. Here's one of them, the Antirrhinum socks from A Year of Techniques. These were a lot of fun to knit, and I'm looking forward to wearing them this winter.
I also finished this little beauty for me.
That is the 21 Color Slouch, which I bought as a kit from my favorite LYS, Yarning For You. It's all Blue Sky Fibers yarns, and it comes with all of those colors in little bitty hanks. It's a sweet little pattern, and I just loved the colors. Hats in general are a tricky thing when you have hair as short as mine - I often look like I'm wearing a chemo cap, which leads people to approach me with shock and dismay. That said, I'm probably going to hang on to this one (I have been known to knit hats because I really, really love them, then give them away because of this issue) in spite of that - it'll make a great trail and barn hat.
Speaking of the barn, we've gotten to what is now a funny time of the year for me. I used to absolutely adore the fall time change. Not only did I get an extra hour of sleep on a Sunday morning (huzzah!), and more light in the morning which makes it easier for me to get up, and which also makes the aforementioned trail feel a bit brighter and safer, but I actually like(d) the early evenings, cozying up at home, all of that. Then I got a horse. And now I just really really miss daylight in the evenings. That said, sunset from horseback is one of life's good things.
I hope you are all enjoying your good things this weekend, too!
Thursday, November 2, 2017
November, and I have been knitting
So, I mentioned in my last post that this past summer was a reminder that I Am Not In Charge Here. I don't think that's a bad thing, by the way - it's useful to keep that in mind, I think. These reminders came in a number of arenas in my life, one of which is health-related. In August, I was diagnosed with rheumatoid arthritis. I'm going to be honest and say I still have some trouble putting that down in black and white - there's part of me that looks at that and thinks, surely we're still really just spitballing here? Because my RA is seronegative (meaning that there are no blood markers of inflammation; this is true of about one-third of RA cases), it's really easy to fall into the thinking that maybe we've just gotten it wrong, and at some point, we'll figure out what the "real" problem is (and it won't be a chronic autoimmune disorder)(hope springs eternal, right?). However, the rheumatologist is pretty darned convinced. A large part of that is because I responded to the ten-day course of prednisone that he put me one as part of his differential diagnosis (and by responded, I mean, all the joint pain went away, and I felt like I could rule the world)(at least, I did until I went off the prednisone, and then I kind of wanted to lay down and die; steroids are a cruel mistress, which is why they are NOT the course of treatment that we are going for here). And I have also maintained most of those pain-free gains on methotrexate since then.
However, the fact that I'm a strong responder to drugs comes with a down side: I also tend to get the nasty side effects. And this is why I've been largely blog-absent since then. Methotrexate kind of kicks my butt for a couple of days a week - I can live with the queasiness, but I also get significant brain fade, and you can imagine how much not-fun that is. I really like my brain, and there's nothing worse than losing words or trains of thought and not being able to find them. So this week, the rheumatologist agreed that I need my brain, and we're trying something else.
What this means is that, when I am feeling good and I have a brain, I'm either catching up on work, or I'm trying to make space for time outdoors, and to spark and embrace some creativity in my life. I'd kind of lost that habit, and then my beloved sister-in-law tagged me in a seven-day black and white photo challenge, and I started playing with my camera again.
I went to the beach at sunset with Rick and Kivrin and the dog.
I took it to the trail on my morning walks.
I went to Coronado with Rick and just spent some time wandering around.
And I went to the Mingei (my all-time favorite museum) to see an exhibit of (get this, people) horse tack, and one of knitted jewelry and other objects. Yes, the museum had simultaneous exhibits involving horses and knitting. Rick laughed pretty hard when I suggested we go together. It was an awesome day. I immediately went home and dug out a wire-knitting kit I'd stashed away ages ago:
I turned out a beaded bracelet in a few hours (Kivrin snagged it before I had time for photos). It was so much fun that I went out to a local bead store and got... well, let's just say a got a LOT of 26 and 28-gauge wire. I'ma knit myself a giant jellyfish, which Rick has agreed to string a lightbulb into to make a hanging lamp. There are other wire-knitting plans afoot. This may get entirely out of hand.
But first, I had to get a few things off the needles. I finished a mosaic cowl that I thought was going to be for me. But as I was wrapping it up, I realized that it really needed to go to my friend Jill. That thought was clinched when I brought it to work on Tuesday, unbeknownst to her, and found that she had dressed to perfectly match the colors in the cowl (you can't entirely see it here, but her shirt is the exact same purple as the cowl, and her stockings are an exact match for the blue).
Yup. That's where it belongs. I also finished another project from the Year of Techniques:
Another cowl. This one will go to Tess. And I finally got some socks for myself off the needles.
I have been SO into stripes lately, that I cast on for the 21 Color Slouch hat, which probably won't look good on me (when you have hair as short as mine, most hats end up looking like chemo hats, which I don't mind in principle, but which other people tend to find distressing), but I wanted it anyway. I can always give it to one of the girls if it's just unwearably hideous...
So, there it is. What are you doing to spark your creativity these days?
However, the fact that I'm a strong responder to drugs comes with a down side: I also tend to get the nasty side effects. And this is why I've been largely blog-absent since then. Methotrexate kind of kicks my butt for a couple of days a week - I can live with the queasiness, but I also get significant brain fade, and you can imagine how much not-fun that is. I really like my brain, and there's nothing worse than losing words or trains of thought and not being able to find them. So this week, the rheumatologist agreed that I need my brain, and we're trying something else.
What this means is that, when I am feeling good and I have a brain, I'm either catching up on work, or I'm trying to make space for time outdoors, and to spark and embrace some creativity in my life. I'd kind of lost that habit, and then my beloved sister-in-law tagged me in a seven-day black and white photo challenge, and I started playing with my camera again.
I went to the beach at sunset with Rick and Kivrin and the dog.
I took it to the trail on my morning walks.
I went to Coronado with Rick and just spent some time wandering around.
And I went to the Mingei (my all-time favorite museum) to see an exhibit of (get this, people) horse tack, and one of knitted jewelry and other objects. Yes, the museum had simultaneous exhibits involving horses and knitting. Rick laughed pretty hard when I suggested we go together. It was an awesome day. I immediately went home and dug out a wire-knitting kit I'd stashed away ages ago:
I turned out a beaded bracelet in a few hours (Kivrin snagged it before I had time for photos). It was so much fun that I went out to a local bead store and got... well, let's just say a got a LOT of 26 and 28-gauge wire. I'ma knit myself a giant jellyfish, which Rick has agreed to string a lightbulb into to make a hanging lamp. There are other wire-knitting plans afoot. This may get entirely out of hand.
But first, I had to get a few things off the needles. I finished a mosaic cowl that I thought was going to be for me. But as I was wrapping it up, I realized that it really needed to go to my friend Jill. That thought was clinched when I brought it to work on Tuesday, unbeknownst to her, and found that she had dressed to perfectly match the colors in the cowl (you can't entirely see it here, but her shirt is the exact same purple as the cowl, and her stockings are an exact match for the blue).
Yup. That's where it belongs. I also finished another project from the Year of Techniques:
Another cowl. This one will go to Tess. And I finally got some socks for myself off the needles.
I have been SO into stripes lately, that I cast on for the 21 Color Slouch hat, which probably won't look good on me (when you have hair as short as mine, most hats end up looking like chemo hats, which I don't mind in principle, but which other people tend to find distressing), but I wanted it anyway. I can always give it to one of the girls if it's just unwearably hideous...
So, there it is. What are you doing to spark your creativity these days?
Tuesday, September 26, 2017
And the summer went...where, again?
Have you ever had one of those periods in life that seems entirely designed to forcefully remind you that You Are Not In Control Here? Yes? Well, me, too. A lot happened this summer, nothing that I'd call catastrophic, but a lot that was just about letting it happen and rolling with it, because I was definitely Not In Charge. Some of it I'll talk about here, some of it maybe not, but either way, I promised at least a few more pictures from Ireland, yes?
I believe I left off last time in Meath, having seen Dowth, and headed for Newgrange, which has been restored. Some therefore criticize it as a Disneyfied version of a passage-tomb, and I get that. On the other hand, when you stand in the central chamber (where no photography is allowed, sorry), under a corbelled roof that has not been restored, and that has also not leaked even one little bit in 5,000 years of Irish rain - well, let's just say it was a pretty intense experience. In the meantime, here's the impressive (even though reconstructed) facade:
The light box on top of the doorway there admits the first light of the sun at the winter solstice. They actually have a lottery for people to be inside at dawn for the three days around the winter solstice - with no guarantee of good weather or a visible sunrise. (Wise, methinks.)
We then drove up to Sligo, where we spent a delightful day being shown around Carrowmore and Carrowkeel by Martin, an amazing guide who has devoted his life to the Neolithic landscape in the area - Rick and I enjoyed every minute of the day. (Martin also recommended two fabulous pubs to go to for traditional Irish music sessions, where we stayed for hours. It just never got old.) We explored the very earliest pre-passage tombs, marveling at the engineering needed to get the capstones up onto their bases.
One of the things that really struck me as we explored, was the degree of intimacy with the landscape that shows in each of these monuments. First of all, they're everywhere. And there are often reflections at the micro scale of larger elements of the macro landscape. I was also struck by the layering of people living in and making use of the landscape - stone circles just cropped up (haha) in farmer's fields, or were used in buildings on crofts. In one case, one of the largest and most intact stone circles we saw has been divided by a farmer's fence, where he refused to sell to the land trust, after they seized one part of his circle through eminent domain (but didn't succeed in getting the last bit!).
We also went and found the oldest passage tombs in the area - the precursors to Newgrange and Knowth and Dowth. Except that we were able to climb inside these and sit, just quietly, in the dark, listening to the years.
Rick and I also did some hiking in Sligo.
(Glacial valley, much?) And I saw flag iris! You know how you read about things, and you have a vision in your head of what they must be, but you've never seen them before, and then you do? This is what happens to a California kid who grows up drinking in literature by British and Irish authors - we don't have flag iris here, but they do in Ireland! I should tell you that the greens in these photos are not enhanced - this is what it's like. (I should also mention that I took my new camera along, and had a blast playing with it. It's so much smaller than our older digital SLR - this one isn't SLR - and it took fabulous photos. Then my SIL - who had recommended this one and who is an amazing photographer - came to visit and gave me even more pointers.)
On our last night, we stayed in the Wicklow mountains, to which I must return. Our final morning saw us hiking on the Guinness estate (yes, that Guinness), where I found white thorn trees (also something about which I've read again and again, but had never seen). Beautiful, yes?
The waters were black with peat. And the rocks growing with tiny ferns and mosses.
We drove over the pass towards the airport in Dublin, and stopped to look back onto the valley where we'd been hiking, and the tarn at the top.
(Glacial valley much?)
And then, finally, after a solid week of driving, during which Rick chose for me (he's the navigator, I'm the driver - and we had a left-hand stick shift for this trip!) the most narrow, windy, country roads he could, we found sheep.
All I could say was, 'bout time.
I'll leave it there for now. I have knitting to report on - I've been knitting along with the Year of Techniques (Mason-Dixon), and while I haven't done them all so far, I've had fun with the ones I have completed, and I've learned a few things that I know I'll use again. I also knit my first mosaic project, which just needs its ends woven in. (In fact, I have nothing current OTN right now - just
Friday, June 30, 2017
Let's see if I can get Blogger and iPhoto to talk...
Well, I made it to Ireland and back (sounds like some kind of children's adventure book, doesn't it?). It was a very short week, packed full of wonderful things. Followed by a rather insane period of doing things, from which I am still recovering. Basically, we got back from Ireland on a Thursday evening, which happened to be Kivrin's 16th birthday. She and Tess came to pick us up at LAX, with Kivrin's new foster dog (more on that, I am sure, in other posts), and we took her out to InNOut (her request) for her birthday, before going home to collapse around 10 pm. We were up at 6ish the next morning to drive down to San Diego to see the Dalai Lama, who was speaking at UCSD. Totally worth it, the hour and a half we spent not moving in the parking lot afterwards notwithstanding (more on what he had to say in another post, too). That afternoon, Rick's parents arrived to help us celebrate Kivrin's 16th, Rick's 50th, and Rick's dad's 75th birthdays, all within a week of each other. So there was a party, and cooking dinners and cakes, and paddleboarding (Kiv's request)(which is, by the way, more fun than a basket full of kittens, and I now want a paddleboard quite badly).
Oh, and did I mention I'm teaching an online summer school class through all of this?
So I've been digging out from under, as you might imagine.
I took many handknit sweaters with me to Ireland. I am normally a light packer, but a) we had to check a suitcase, so I figured, why not go for a big one, right?, and b) it's Ireland!, and c) I was giving a paper on knitting and wellbeing, so I felt compelled to represent. But here's the funny thing - I really only got photos of myself in Oa, which was almost too warm, windy and rainy as it was. It's definitely a winter sweater! This means I still don't have a photo shoot done of my lovely new stripey sweater, and will have to do that later. But Oa performed admirably.
Here it is, surviving a crawl through a souterrain at Knowth, and standing on top of the large passage tomb there:
In that photo, you can see the neckline I finally decided on after no fewer than three knit/rip-back iterations. As you may remember, I wanted to create a sort of stand-up/cowl effect, without the hood. This turned out to be impossible - or, at least, MUCH more complicated than I wanted to get. When I modelled my first attempt for the family, Rick politely suggested that I rather looked as though I were headed into space and about to put my helmet on, and Kivrin just said, "no". I finally decided to keep it simple, and just leave the neckline the same on both sides (it's difficult to raise the back and lower the front in colorwork without steeking, which I decided not to do). Then I tried to have ribbing around the neckline that would match the sleeves and hem, but that really didn't look so great, either, so I settled on simply finishing it with a red i-cord bind-off, which worked.
I'm happy with it.
And it's pretty darned wind-proof!
So, photographic proof that Oa is complete, and has been worn to good effect.
There's so much to report on from our trip that I'll break it up a little bit, I think. We arrived in the afternoon of a Thursday, got our car, and drove to Meath (north of Dublin). Rick (who generously navigates on our trips, since while I am fine with being lost, I hate to get us lost, and would rather drive) decided it would be fun to take the back roads, so I immediately got to put my left-handed stick shift and small road driving skills to the test, jet-lagged and all. My stated desiderata for the three days before my conference were: Neolithic monuments, and traditional Irish music. To that end, we got up early on Friday morning, and headed for the monuments of Newgrange and Knowth, which are the largest of the Neolithic passage tombs in Ireland, and date back some 5,000 years from the present.
The only way to see these monuments is to go to the visitor's center, and sign up to be taken by bus out to each in turn (assuming that you get a spot - we did). First up was Knowth, where the site has multiple passage tombs, with a large central tomb that you can see here. Each of these is a mound with a passageway inside leading to a central chamber that usually has three side chambers, rather like a clover. Knowth's central chamber is too collapsed and unstable to go into, but you can go inside and look down the passage.
Each of the mounds is surrounded by large carved rocks (now protected by a modern cement overhang for the largest one); in many of the tombs, the rocks have collapsed outward, but in Knowth's largest mound, they have been put back upright so that it is possible to see the carving all the way around.
I was fascinated by these carvings, and took picture after picture. I felt much as I did in Turkey, when we went to Catal Hayuk and Gobekli Tepe - I so wish I could sit down with the people who made these and come to understand what they were symbolizing here. They strongly resonate with me, but who knows whether it's for the same reasons that people made them in the first place?
As with so many of these sacred sites, there have been layers upon layers of human use. Early in Knowth's history, there was a wooden henge, which has been reconstructed based on the "shadows" left by the posts in the earth.
And the souterrain that I showed above came during the Middle Ages - this site has seen its fair share of use.
I think I'll stop there for now, and on to Newgrange next post.
Has anyone else been doing fun things for summer? Any plans for the long weekend? I hope you're all having as much fun as I am!
Oh, and did I mention I'm teaching an online summer school class through all of this?
So I've been digging out from under, as you might imagine.
I took many handknit sweaters with me to Ireland. I am normally a light packer, but a) we had to check a suitcase, so I figured, why not go for a big one, right?, and b) it's Ireland!, and c) I was giving a paper on knitting and wellbeing, so I felt compelled to represent. But here's the funny thing - I really only got photos of myself in Oa, which was almost too warm, windy and rainy as it was. It's definitely a winter sweater! This means I still don't have a photo shoot done of my lovely new stripey sweater, and will have to do that later. But Oa performed admirably.
Here it is, surviving a crawl through a souterrain at Knowth, and standing on top of the large passage tomb there:
In that photo, you can see the neckline I finally decided on after no fewer than three knit/rip-back iterations. As you may remember, I wanted to create a sort of stand-up/cowl effect, without the hood. This turned out to be impossible - or, at least, MUCH more complicated than I wanted to get. When I modelled my first attempt for the family, Rick politely suggested that I rather looked as though I were headed into space and about to put my helmet on, and Kivrin just said, "no". I finally decided to keep it simple, and just leave the neckline the same on both sides (it's difficult to raise the back and lower the front in colorwork without steeking, which I decided not to do). Then I tried to have ribbing around the neckline that would match the sleeves and hem, but that really didn't look so great, either, so I settled on simply finishing it with a red i-cord bind-off, which worked.
I'm happy with it.
And it's pretty darned wind-proof!
So, photographic proof that Oa is complete, and has been worn to good effect.
There's so much to report on from our trip that I'll break it up a little bit, I think. We arrived in the afternoon of a Thursday, got our car, and drove to Meath (north of Dublin). Rick (who generously navigates on our trips, since while I am fine with being lost, I hate to get us lost, and would rather drive) decided it would be fun to take the back roads, so I immediately got to put my left-handed stick shift and small road driving skills to the test, jet-lagged and all. My stated desiderata for the three days before my conference were: Neolithic monuments, and traditional Irish music. To that end, we got up early on Friday morning, and headed for the monuments of Newgrange and Knowth, which are the largest of the Neolithic passage tombs in Ireland, and date back some 5,000 years from the present.
The only way to see these monuments is to go to the visitor's center, and sign up to be taken by bus out to each in turn (assuming that you get a spot - we did). First up was Knowth, where the site has multiple passage tombs, with a large central tomb that you can see here. Each of these is a mound with a passageway inside leading to a central chamber that usually has three side chambers, rather like a clover. Knowth's central chamber is too collapsed and unstable to go into, but you can go inside and look down the passage.
Each of the mounds is surrounded by large carved rocks (now protected by a modern cement overhang for the largest one); in many of the tombs, the rocks have collapsed outward, but in Knowth's largest mound, they have been put back upright so that it is possible to see the carving all the way around.
I was fascinated by these carvings, and took picture after picture. I felt much as I did in Turkey, when we went to Catal Hayuk and Gobekli Tepe - I so wish I could sit down with the people who made these and come to understand what they were symbolizing here. They strongly resonate with me, but who knows whether it's for the same reasons that people made them in the first place?
As with so many of these sacred sites, there have been layers upon layers of human use. Early in Knowth's history, there was a wooden henge, which has been reconstructed based on the "shadows" left by the posts in the earth.
And the souterrain that I showed above came during the Middle Ages - this site has seen its fair share of use.
I think I'll stop there for now, and on to Newgrange next post.
Has anyone else been doing fun things for summer? Any plans for the long weekend? I hope you're all having as much fun as I am!
Tuesday, June 6, 2017
On the fly
Well, knitting has been happening - it's the writing about it that's been failing to occur. And, to be honest, even the writing hasn't seemed so impossible - it's taking pictures that's been hanging me up.
Like this:
I finished the striped sweater (cheers, clapping!). I'm delighted with it. I have worn it several times, to many kind compliments. I wanted to do a nice photo shoot to really show it off. But did not.
Then Oa was making progress, so I figured I'd do a photo shoot with both of them. Except that finishing Oa turned out to be a real pain in my butt (because I had Plans regarding the neckline, as you may recall - and you know what they say about Plans). It is now done (wild applause from the audience!), and I am happy with it. It took me a while to work up to the finishing and blocking (and it took forEVER to dry), but that, too, is done, and I've even worn it (and was told I should have submitted it to the county fair, but was too late). So photo shoot time, right?
Well, no. Because the couple who manages the barn where Disco boards are having a baby this month, and I decided, as you do, that the new baby really needed something handknitted. So that had to get done, because you really can't ask a breathtakingly pregnant woman to hang on while you knit. So I did that.
And while I didn't manage a photo shoot, per se (because I was - literally - seaming and weaving in ends and sewing on buttons while sitting ringside watching Tess ride), I did get a few shots before I wrapped it up and handed it over.
And I was going to show you those shots (because honestly, it's the cutest little baby surprise jacket ever, due to an unexpectedly felicitous yarn shortage and subsequent switch halfway through). But Blogger and iPhoto are refusing to talk, so that's not going to happen. See? Me and knitting photos are existing in a relationship that can be summed up by the word "thwart".
Because even after all that was done, and I thought I'd do a photo shoot of my new sweaters, I had a paper due to a journal last week. And then when that was done, I needed to put together the presentation for my conference next week. Because tomorrow I'm leaving for Ireland.
Ireland!
To present a paper (written with my dear friend and colleague Marie, she of the pussyhat survey) on the relationships among knitting, identity, and well-being. How cool is that?
So do you know what I have to go figure out now?
That's right: what sweaters am I packing, and what knitting projects do I need to bring?
When I get back: photos of sweaters in the Irish countryside. I promise.
Like this:
I finished the striped sweater (cheers, clapping!). I'm delighted with it. I have worn it several times, to many kind compliments. I wanted to do a nice photo shoot to really show it off. But did not.
Then Oa was making progress, so I figured I'd do a photo shoot with both of them. Except that finishing Oa turned out to be a real pain in my butt (because I had Plans regarding the neckline, as you may recall - and you know what they say about Plans). It is now done (wild applause from the audience!), and I am happy with it. It took me a while to work up to the finishing and blocking (and it took forEVER to dry), but that, too, is done, and I've even worn it (and was told I should have submitted it to the county fair, but was too late). So photo shoot time, right?
Well, no. Because the couple who manages the barn where Disco boards are having a baby this month, and I decided, as you do, that the new baby really needed something handknitted. So that had to get done, because you really can't ask a breathtakingly pregnant woman to hang on while you knit. So I did that.
And while I didn't manage a photo shoot, per se (because I was - literally - seaming and weaving in ends and sewing on buttons while sitting ringside watching Tess ride), I did get a few shots before I wrapped it up and handed it over.
And I was going to show you those shots (because honestly, it's the cutest little baby surprise jacket ever, due to an unexpectedly felicitous yarn shortage and subsequent switch halfway through). But Blogger and iPhoto are refusing to talk, so that's not going to happen. See? Me and knitting photos are existing in a relationship that can be summed up by the word "thwart".
Because even after all that was done, and I thought I'd do a photo shoot of my new sweaters, I had a paper due to a journal last week. And then when that was done, I needed to put together the presentation for my conference next week. Because tomorrow I'm leaving for Ireland.
Ireland!
To present a paper (written with my dear friend and colleague Marie, she of the pussyhat survey) on the relationships among knitting, identity, and well-being. How cool is that?
So do you know what I have to go figure out now?
That's right: what sweaters am I packing, and what knitting projects do I need to bring?
When I get back: photos of sweaters in the Irish countryside. I promise.
Monday, May 1, 2017
Some stories
Knitting continues. But with two sweaters on the go, the progress isn't always thrilling to anyone but me. So, for kicks and giggles, a pair of vignettes for you.
1.
I saved a dove
the other day.
The cat came
tearing into the house just as I was walking down the hall, something gray and
limp in his mouth. A rat. It’s that time of year. I hollered to Rick (rats are not in my wheelhouse), who hollered back
that he was on a call, and closed the office door.
I turn to chase
the cat back out of the house while he still has control of the rat, but he puts
it down (self-censoring of shrieks ensues; Rick’s on a call!). And I see that it’s a dove, and feel my chest
get heavy.
Until it moves, and
I think that I’d better contain it before it flies away in the house (if it’s
well enough), and then figure out what to do with it (if it’s really
hurt). So, I shoo the cat away, gathering
the dove up in a towel. It breathes fast
and shallow, its eyes dull and half-open, but I see no obvious damage (besides
a patch of missing features on the back of its neck – dumb cat!). I remember hearing somewhere that when a bird
runs into a window pane (or is attacked by a cat – dumb cat!), it’s the shock
that can kill them, and if they can get through that, they’re sometimes OK; I
made a note of it, because this isn’t the first time this has happened. So, warmth and hydration. OK.
Wrapped in a towel; warm: check.
I try letting little drops of water fall from my fingertips into her
mouth, and she seems to swallow, but it’s tremendously inefficient. Standing at the kitchen sink, I look at the
window sill and see the nasal aspirator (don’t ask) that I use to clean
fountain pens, ah-ha! I try that –
perfect. One drop at a time, her throat
moves as she swallows. But her eye is
still half-closed and dull, and her breathing rapid and hard.
I take her
outside and put her in on the table in dappled sun, and sit with her quietly,
abandoning my other plans, giving myself over to seeing what happens next, what
I can do. I give her some water from
time to time and let her rest, waiting to see what might happen. I watch the towel rising and falling with her
breath. I read, I enjoy the sun and the
breeze, I wait.
When I look up
again, the towel has fallen still. I
peek around the edge, nervous of what I might see. But – there is a bright black eye looking at
me, aware and awake and very present. I
lean in with the dropper to offer more water, and with a great clattering of
wings and cooing, she bursts out of the towel, away from my hand, over the
bushes, over the telephone wires, and vanishes, leaving me, heart racing, alone
on the patio in the sun.
2.
We walk out to
the car, Kivrin and Tilly and I, she on her way to school, Tilly and I ready
for a walk after drop-off. I look down
the driveway as we go to the car, eyes out for Roxie, our neighbor’s dog, who sometimes
lures Tilly away from the car – usually on the mornings when we most need to
hurry.
Coming up the
driveway, a person, in gray loose clothes, head down, arms crossed over chest,
gender indeterminate. No-one comes up
our easement unless they’re actually headed for one of our houses, and this
person, as soon as they see us come out, turns around and heads back down the
hill.
While we’re
generally left alone at the top of our driveway, we did once have someone rifle
through the cars in the night – was this person on their way up to do the
same? Hating to feel automatically suspicious,
I decide that maybe they’re looking for a lost pet, scanning the ditch between
driveways where nasturtium grows wild and coyotes hunt the rabbits (and cats
and dogs and chickens) who stray there.
Either way, we’ll pass the person on the way down, and I can get a
better sense of what’s going on then (back of my mind: do I call Rick and let
him know to be on the lookout?).
We load up and
start rolling and as we draw closer, the person steps off the driveway, into
the dirt, and hunkers down.
I stop, not sure
what to expect, and unroll Kivrin’s window.
Are you OK? Can I help you?
She’s
young. Her hair is long and unbrushed,
with twigs and tangles in it. Her face
is open and guileless, and her eyes are lost.
Yes, she says. Yes. I’m confused, and I don’t know where I am. A little embarrassed laugh.
I park and get
out of the car. She’s barefoot, her feet
small and dirty and scratched. I’m
Jocelyn, I say, and she says, I’m Sarah.
I was out with a bad crowd, and I think maybe I was rufied. I’m lost.
Let’s get you up
to the house, I say, and get you some help.
My mind is going in five directions – Kivrin’s in the car, and the
dog. I don’t want to stick this young
woman in the car with a dog who might be hyper and bark – I want to be able to
hear what she’s saying. Kivrin can’t
drive the car back up; I don’t want to leave Sarah to hike up to the house
myself while I get the car back up there.
These thoughts race as I begin to guide her up the driveway; Rick can
come down and drive Kiv to school in my car while I figure out who to call. That will work.
We’ll call
someone, I say.
She says, I know
my grandmother’s number – she lives somewhere around here.
We stop. I go back to the car for my phone. I ask her the number, and she says it while
I’m still getting to the right screen to dial, and I ask for it again, hoping
that she can remember it twice, that it’s a real number, that it’s actually her
grandmother. I realize I don’t remember
her name now, and ask for it again as the phone dials, apologizing.
It’s Sarah, she
says slowly. Sarah Lyn – tasting the
words on her tongue.
The phone is
answered. Hi, I say, my name is Jocelyn,
and I’m here with your granddaughter, Sarah…?
Expressions of
relief. Where are you? I can come get her right away. I’ll be right there. I tell her my address, and the cross street –
it turns out she lives right on my cross street. I’ll be right there, she says again. I tell her we’ll wait at the bottom of the
driveway.
I turn to Sarah,
asking if she’s OK getting in the car with the dog, so we can wait for her
grandmother. I’m looking at her bare
feet, imagining that they are cold on the pavement. She loves dogs, she says; she’d gone out to
walk the dog – she was staying at her grandmother’s to detox, she thought she’d
already detoxed, she should have known better when someone offered her a bong,
they must have put something else in it.
She’s trying to make sense; each sentence does, individually, but the
narrative isn’t coherent.
She gets in the
car. I introduce her to Kivrin, wanting Sarah
to know that we see a person there in the backseat of our car, wanting to
create a semblance of normalcy, of okayness.
I can’t believe I’m lost, she says, I’ve lived here all my life. This is embarrassing. I tell her not to be embarrassed, it’s OK –
we all get lost sometimes.
We wait at the
bottom of the driveway, for a few minutes that feel much longer, as we talk
about dogs and drugs and being lost and feeling embarrassed, until I see an SUV
marked with the sheriff’s logo across the street. My first thought: her grandmother called the
cops to scare her? Then I realize –
she’s been missing; her grandmother called the police to help find her.
I get out of the
car as the sheriff pulls to one side of me, the grandmother’s car right behind,
pulling to the other. Sarah gets out,
saying thank you – I tell her I’m really glad we could help, glad that she
found us. I mean it. The sheriff is eyeing my car, taking in the
bumper stickers, the dirt from driving to the barn, the long driveway behind
us. The grandmother gets out of her car,
jerks her head at the passenger side door as Sarah passes, comes up to me.
And throws her
arms around me and doesn’t let go. She’s
crying and thanking me. It’s OK, I
say. I’m glad Sarah knew your number, I
say (I think I said, I’m pretty sure I said).
When she finally pulls away, she tells me that she’s been so scared,
this is the first time for her – Sarah’s done this before but her parents have
given up on her and she’s come to live with them they have appointments for her
but they haven’t happened yet she just didn’t know what to do. And I tell her it’s OK. I’m glad that we found Sarah – and I am. I tell her that she has my number now, and
truly, she should know that we’re right there, and it’s OK to call. I mean it.
I give the
sheriff’s deputy my name and (at his request) birthday (not my cell phone? not
my address? right – they can find me
with my name and birth date), say goodbye and good luck to Sarah’s grandmother
and wave to her through the window.
I turn back to
get into my car, where my daughter sits in the front seat, clean and safe (no
dirty feet, no twigs in her hair or blood on her knee or bruises on her wrist,
not cold, not hungry). I turn to her (her
eyes clear, not lost, not confused), and for one moment, it’s almost too much
to bear, this juxtaposition (please never let my daughter have that lost look
in her eyes, pleasepleaseplease; please never let her have to rely on the
kindness of strangers – please let strangers be kind to her when she’s in
need), and my breath catches in my chest.
You OK, I
ask? Yes, she says.
And we drive to
school, leaving the cars and Sarah behind.
When I get back,
they are gone.
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