Done.
Done.
Project details: Wool and Camel Down Ripple Scarf. Schaefer Nichole. Gifted to Older Daughter, who hasn't taken it off, even though it's pretty warm around here these days.And done.
Now can I cast on something new?
Project details: Wool and Camel Down Ripple Scarf. Schaefer Nichole. Gifted to Older Daughter, who hasn't taken it off, even though it's pretty warm around here these days.
(I think that if you click to embiggen, you'll be able to read that pin; it makes me laugh.)
So, to recap, this is the Pear and Trellis scarf (Rav project page here), knitted for my friend Vivienne's birthday (she doesn't read the blog, so no spoilers here). I used Punta Yarns Merisock Handpainted yarn, on a size four needle. It knitted up quickly and blocked beautifully. I loved the yarn, and am very happy that I bought a skein (in a different colorway) for myself.
On the two mornings that I was there, I even got to go on a quick hike with Laura, the amazing woman who not only hosted this event, but who also finds all the grants that keep this project (and several others like it) going. I have absolutely NO idea how she does it, since I am a grant anti-magnet, but she writes them and manages them beautifully, and we are all grateful beyond belief. She's also wonderful company (and enjoys a good beer at the end of a long and language-filled day), and she takes me on good hikes with her dogs.
I was inspired to knit these after seeing Lori's. (I can't find the exact post, for some reason, but here's her Rav project.) They're the Circle Socks, and since I was rather winging the pattern from some scribbled notes I'd made, these are a little different from the actual pattern. Younger Daughter is pretty happy with them, though; she says they look like fish, and they really do, don't they? Lovely bright tropical fish. They are very "her".
That's a Pear and Trellis scarf (I can't remember the yarn, complete details next time; all I know is that it's a new yarn over at Yarning For You, and that the only way I could justify buying both of the skeins I fell in love with was to agree to myself that I'd give one of them away). I was worried that the colors would be too busy with the pattern, but I think that once it's blocked, it's going to be all right -- the strong vertical lines of the pattern will help to clean things up.
You can see how uneven the finish is there. The goal was to sand out the ink, then to do a quick run over the table with some fine-grit sandpaper, and then to apply the wax. It was the ink sanding that did us in; Rick recommended 60-grit, and while that took out the ink, it turned out to be a mistake.
See how much more even and lovely that is? Well, what you're not seeing is the scratching from the 60-grit, which didn't show (after all that work) until I put the wax on. It shows now, drat it. Five coats of wax later, the wood stopped drinking, but I'm going to have to take it all the way back down to bare wood next time with a belt sander (and a LOT of sandpaper) to get the scratches out. Sigh. I stopped before the final buffing of the last coat of wax, both because my hands were a mess (the sandpaper has taken layers of skin off, and they're bruised and swollen, alas), and because the sun had gone, and the sun is what keeps the wax just soft enough to work the extra back off the table. Rick, bless him, did that last bit yesterday. It looks happier, but I'm sad about the scratches.
Isn't it pretty? The scratches are a bummer, but the good thing about an unfinished piece of wood is that I can take it back down to the bare wood next time and get rid of them.